The End of the Play

Summary


"The End of the Play" by William Makepeace Thackeray opens like a curtain call — an actor removing his mask to reveal a face far from joyful. Written as a Christmas address, the poem moves through the shared theatre of human experience: the griefs and ambitions of youth mirrored in middle age, the arbitrary cruelty of fate, the rich man's feast set against the beggar at the gate. Thackeray asks not for triumph, but for something quieter — that each person, whatever fortune brings, might face life with an honest and gentle heart.

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The play is done — the curtain drops,
Slow-falling to the prompter’s bell;
A moment yet the actor stops,
And looks around, to say farewell.
It is an irksome word and task;
And, when he’s laughed and said his say,
He shows, as he removes his mask,
A face that’s anything but gay.

A Victorian actor removes his mask on a candlelit stage, evoking the reflective mood of "The End of the Play."

One word, ere yet the evening ends,
Let’s close it with a parting rhyme;
And pledge a hand to all young friends,
As fits the merry Christmas time.
On life’s wide scene you, too, have parts
That fate erelong shall bid you play;
Good-night! — with honest, gentle hearts
A kindly greeting go alway!

Good-night! — I’d say the griefs, the joys,
Just hinted in this mimic page,
The triumphs and defeats of boys,
Are but repeated in our age.
I’d say your woes were not less keen,
Your hopes more vain than those of men,
Your pangs or pleasures of fifteen
At forty-five played o’er again.

I’d say we suffer and we strive,
Not less nor more as men than boys,
With grizzled beards at forty-five
As erst at twelve in corduroys;
And if, in time of sacred youth,
We learned at home to love and pray,
Pray Heaven that early love and truth
May never wholly pass away.

And in the world as in the school
I’d say how fate may change and shift,
The prize be sometimes to the fool,
The race not always to the swift:
The strong may yield, the good may fall,
The great man be a vulgar clown,
The knave be lifted over all,
The kind cast pitilessly down.

Who knows the inscrutable design?
Blessed be He who took and gave!
Why should your mother, Charles, not mine,
Be weeping at her darling’s grave?
We bow to Heaven that willed it so,
That darkly rules the fate of all,
That sends the respite or the blow,
That’s free to give or to recall.

This crowns his feast with wine and wit, —
Who brought him to that mirth and state?
His betters, see, below him sit,
Or hunger hopeless at the gate!
Who bade the mud from Dives’s wheel
To spurn the rags of Lazarus?
Come, brother, in that dust we’ll kneel,
Confessing Heaven that ruled it thus.

So each shall mourn, in life’s advance,
Dear hopes, dear friends, untimely killed;
Shall grieve for many a forfeit chance,
And longing passion unfulfilled.
Amen! — whatever fate be sent,
Pray God the heart may kindly glow,
Although the head with cares be bent,
And whitened with the winter snow!

Come wealth or want, come good or ill,
Let young and old accept their part,
And bow before the awful Will,
And bear it with an honest heart.
Who misses or who wins the prize,
Go, lose or conquer, as you can;
But if you fail, or if you rise,
Be each, pray God, a gentleman!

A gentleman, or old or young!
(Bear kindly with my humble lays;)
The sacred chorus first was sung
Upon the first of Christmas days;
The shepherds heard it overhead, —
The joyful angels raised it then:
“Glory to Heaven on high,” it said,
“And peace on earth to gentle men!”

My song, save this, is little worth;
I lay the weary pen aside,
And wish you health and love and mirth,
As fits the solemn Christmas-tide.
As fits the holy Christmas birth,
Be this, good friends, our carol still:
Be peace on earth, be peace on earth
To men of gentle will!

Credits

William Makepeace Thackeray was a 19th-century British novelist and satirist, best known for *Vanity Fair*, whose sharp eye for social hypocrisy extended equally to his poetry. "The End of the Play" was originally published as a closing verse to one of his works, serving as a direct, warm farewell to his readers at Christmas. His writing consistently balanced moral seriousness with genuine affection for human frailty.