Mary at the Well

Summary


"Mary at the Well" by Henry Wadsworth Longfellow presents a dramatic poem reimagining the Annunciation — the moment the Angel Gabriel appears to the Virgin Mary as she draws water from a quiet, secluded well. Mary is alone beneath shading sycamores, startled by a gentle disembodied voice, when Gabriel materialises to deliver his sacred message. The poem captures her trembling uncertainty giving way to humble acceptance, condensing a pivotal biblical moment into intimate, lyrical dialogue.

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MARY.
Along the garden walk, and thence
Through the wicket in the garden fence
I steal with quiet pace,
My pitcher at the well to fill,
That lies so deep and cool and still
In this sequestered place.

These sycamores keep guard around;
I see no face, I hear no sound,
Save bubblings of the spring,
And my companions, who, within,
The threads of gold and scarlet spin,
And at their labor sing.

THE ANGEL GABRIEL.
Hail, Virgin Mary, full of grace!

Here MARY looketh around her, trembling, and then saith:

MARY.
Who is it speaketh in this place,
With such a gentle voice?

GABRIEL.
The Lord of heaven is with thee now!
Blessed among all women thou,
Who art his holy choice!

The Angel Gabriel appears to Mary at the well in this illustration for Longfellow's poem "Mary at the Well"

MARY, setting down the pitcher.
What can this mean? No one is near,
And yet, such sacred words I hear,
I almost fear to stay.

Here the ANGEL, appearing to her, shall say:

GABRIEL.
Fear not, O Mary! but believe!
For thou, a Virgin, shalt conceive
A child this very day.

Fear not, O Mary! from the sky
The Majesty of the Most High
Shall overshadow thee!

MARY.
Behold the handmaid of the Lord!
According to thy holy word,
So be it unto me!

Here the Devils shall again make a great noise, under the stage.


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Credits

Henry Wadsworth Longfellow was one of America's most beloved 19th-century poets, widely celebrated for his narrative and lyrical verse. This piece is written in a dramatic dialogue form, drawing on medieval mystery-play conventions, complete with stage directions for angels and devils — an unusual theatrical touch within his body of work.