A Christmas Carol, Sung to the King in the Presence at White-Hall

Summary


"A Christmas Carol, Sung to the King in the Presence at White-Hall" opens with an exuberant call to awaken music, voice, and heart in honour of Christ's birth. Herrick transforms the cold December night into a vision of May-like warmth and fragrance, asking why winter suddenly blooms with the promise of spring. The answer arrives with quiet triumph: it is the birth of the "Darling of the World," whose light turns bare ground into flowers and invites every heart to become a worthy room for a King.

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What sweeter music can we bring,
Than a carol for to sing
The birth of this our Heavenly King?
Awake the voice, awake the string!
Heart, ear, and eye, and everything
Awake! while the active finger
Runs division with the singer.

A 17th-century court musician plays lute by candlelight amid holly and ivy, illustrating A Christmas Carol by Robert Herrick.

From the flourish they came to the song.

  1. Dark and dull night, fly hence away,
    And give the honour to this day
    That sees December turned to May.
  2. If we may ask the reason, say,
    The why and wherefore all things here
    Seem like the spring-time of the year?
  3. Why does the chilling winter’s morn
    Smile like a field beset with corn?
    Or smell like to a mead unshorne,
    Thus on a sudden? Come and see
    The cause why things thus fragrant be:
    ‘Tis He is borne, whose quickening birth
    Gives life and lustre, public mirth
    To heaven and the under earth.

Chor. We see Him come, and know Him ours,
Who with His sunshine and His showers
Turns all the patient ground to flowers.

  1. The Darling of the World is come,
    And fit it is we find a room
    To welcome Him. The nobler part
    Of all the house here is the heart.

Chor. Which we will give Him, and bequeath
The holly and this ivy wreath,
To do Him honour, who’s our King
And Lord of all this revelling.

Credits

Robert Herrick was a 17th-century English lyric poet, widely regarded as one of the finest voices of the Cavalier tradition. A clergyman as well as a poet, Herrick blended pagan seasonal imagery with Christian devotion throughout his work, a quality vividly on display in this carol, which was performed before King Charles I at the Palace of Whitehall.