The Words

Summary


"The Words" brings language itself to life as Beautiful, Gorgeous, and Glorious lament that no one uses them anymore. Meanwhile, Wonderful complains of the opposite problem — overuse so relentless it has left the word exhausted and meaningless. The exchange is sharp and quietly funny, building to a moment where Wonderful rallies the neglected trio with a reminder that precise, specific words matter. The story ends with all four words sharing a laugh at the perfect, unplanned irony of the final line.

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Beautiful, Gorgeous, and Glorious were having a quiet conversation, and they were a little sad.

“We try so hard to live up to our names,” said Beautiful. “We really do. We don’t try to be mean or ugly or dull. We do our best to be everything our names suggest. And yet no one uses us anymore.”

“I understand,” said Wonderful. “But you shouldn’t feel discouraged.”

“Easy for you to say,” said Gorgeous. “You’re used constantly. Everything is wonderful this, wonderful that. You’re everywhere.”

“Exactly,” said Wonderful. “And that’s not entirely pleasant. I’m worked absolutely to death. I get borrowed for things that barely deserve me — a mediocre dinner, a slightly nice sunset, a perfectly ordinary Tuesday. I’m stretched so thin that sometimes I’m half with one thing and half with another at the same time, and neither is doing me justice.”

Four word-characters as elegantly dressed women in a cozy Victorian parlour, illustrating The Words by Mary Graham Bonner.

Beautiful, Gorgeous, and Glorious looked at each other.

“You keep being what you are,” said Wonderful firmly. “You are three magnificent words. Precise words. Words that mean something specific and true. I couldn’t get along without you — nobody could, if they’d only remember to use you.”

“Wonderful,” said Beautiful softly, “you really do cheer us up.”

And then all four of them laughed together at how perfectly the word had fit.


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Credits

Mary Graham Bonner was an American author best known for her imaginative children's writing in the early twentieth century. This particular story reflects her playful gift for personification, turning an everyday observation about language into a cast of witty, fully realized characters.