The Hash and the Watermelon

Summary


"The Hash and the Watermelon" opens with an unlikely late-night conversation between two foods: humble hash and beloved watermelon. Hash has overheard the lady of the house dismiss it as something to merely endure, while watermelon serves as the sweet reward. Rather than sulking, hash reflects with surprising self-awareness — it knows its worth, laments its lack of charm, and sends out a heartfelt plea to every cook who has ever served it without care.

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Late one evening, the hash and the watermelon were having a conversation.

“I must tell you what the lady of the house said today,” the hash began. “‘Well, we’ll have to have hash again, I suppose. Everyone will groan — but one can’t waste food. I’ll bring out the watermelon for dessert to make up for it.'”

A cheerful watermelon and a wistful bowl of hash chat in a cozy kitchen, illustrating The Hash and the Watermelon.

The watermelon was sympathetic. “Oh, dear. I should think you’d resent me for it.”

“Not in the least,” said the hash, cheerfully. “I haven’t a jealous disposition. I know hash has to be made — it always has been, throughout history, because things must not be wasted. But I do wonder sometimes if I’m quite as dreadful as people make me out. If cooks would take a little more trouble — proper seasoning, a few good additions — people might actually be pleased to see me. Can you imagine? ‘Oh, we’re having hash tonight — goodie, goodie!'”

“I believe they’ll come to appreciate you one day,” said the watermelon kindly.

“Ah, that’s just it,” sighed the hash. “I have true worth and no charm. I wish I had just a little charm, so people would look forward to me. In the meantime, I send out my earnest appeal to every cook in the land: please season us properly. Hash is tired of insults and would like to be liked, just for a change.”


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Credits

Mary Graham Bonner was an American author active in the early twentieth century, best known for her whimsical children's stories and verses. This little tale showcases her playful use of personification to explore surprisingly grown-up feelings — like the sting of being underappreciated — through the voices of everyday objects.