In the Kitchen

Summary


"In the Kitchen" by Mary Graham Bonner brings kitchen utensils to life in a late-night meeting full of gentle wit and quiet wisdom. The egg beater opens the floor, arguing that bearing an unpleasant name matters far less than one's character. But the cheese grater has long believed its name marks it as the greatest of all — until the gravy spoon delivers a deflating grammar lesson. What follows is a small, honest moment of disappointment, encouragement, and reluctant acceptance between unlikely companions.

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Late one night, when the house was quiet and still and everyone was asleep, the kitchen things held a meeting.

“I’ll be the first to speak,” said the egg beater. “My name is unfortunate — no one wants to be a beater, it sounds violent and disagreeable. But consider: I beat things day in and day out, eggs and cream and everything they ask of me, and I am never cross. Not once. Doesn’t that say something remarkable about my disposition?”

The pots and pans and tins agreed that it did.

An egg beater, cheese grater, and gravy spoon meet at night in "In the Kitchen"

“And that,” said the egg beater, “is what matters. Not the name. The character.”

The cheese grater had been listening unhappily. “My situation,” it began, “is different. I’ve always believed my name meant I was the greatest of all kitchen tools.”

The gravy spoon cleared its throat. “Well. I spend a great deal of time at the dining table, and I hear how people use words. ‘Greater’ and ‘grater’ sound alike, but they’re spelled quite differently and mean entirely different things. You’re named for what you do — the grating — not for any hierarchy among the kitchen implements.”

The cheese grater was very quiet for a moment.

“Never mind,” said the egg beater gently. “I have a name that sounds actively unpleasant, and I rise above it every single day. You can too.”

“I suppose I can,” said the cheese grater. “But I’ll admit I’m disappointed.”

After that, they talked about other things.


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Credits

Mary Graham Bonner was an early twentieth-century American author celebrated for her imaginative children's verse and whimsical short fiction. She had a particular gift for animating everyday objects, and "In the Kitchen" showcases her playful use of wordplay and gentle moral observation in miniature form.