Silver-rod

Summary


Silver-rod is a quiet nature sketch about the soft, moonlit afterbloom of the goldenrod, when blazing yellow fades to silver. The narrator stirs a tufted stalk and watches a cloud of down drift away, carrying next year's seeds. Alongside ironweed and life-everlasting, the faded plants wear their seedy fortunes with grace. On a chilly November day, the mood is serene and contemplative, and a faint sense of peace and patience lingers in the air.

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Who doesn’t know Silver-rod, the lovely, venerable Golden-rod, transfigured and sainted, looking moonlit and misty even in full sunshine? In this soft, silvery afterbloom, which begins at the tip of the flower cluster and slowly spreads downward, the eye finds welcome relief from the recent blaze of yellow. I almost forget that the plant is no longer truly in bloom, no longer tended by sunshine and dew. Is there not, perhaps, some kind of bee that loves to work among these plumy blossoms, gathering a concentrated nectar, a powdery flower of honey? I stir the tufted stalk gently, and away floats a little cloud of down. In it I recognize the golden-rods and silver-rods of another year, if the feathery seeds find a welcoming place in the earth.

Silver-rod: a hand stirs a feathery silvery goldenrod stalk, releasing a cloud of down in a misty autumn meadow.

Two other plants in the wild herbarium deserve to rank beside it for the grace and dignity with which they wear their seedy fortunes. One is ironweed, with its pretty daisy-shaped cups. The other is life-everlasting, which has provided its own grave-clothes and spices and now rests embalmed in every pasture. It is still sweetly fragrant, and whenever I meet it, it reminds me of an old verse that speaks of “the actions of the just” and their lasting bloom and sweetness. On a chilly November day I fancy the air is a little softer wherever Silver-rod holds sway, and that spirits of peace and patience have their favorite haunts there.


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Credits

Edith M. Thomas was an American poet of the late nineteenth and early twentieth centuries, known for her delicate nature verse and keen observation of the seasons. Silver-rod shows that gift in prose, turning a humble roadside weed into a meditation on endings and renewal.