In Heaven a spirit doth dwell
“Whose heart-strings are a lute;”
None sing so wildly well
As the angel Israfel,
And the giddy stars (so legends tell)
Ceasing their hymns, attend the spell
Of his voice, all mute.
Tottering above
In her highest noon
The enamoured moon
Blushes with love,
While, to listen, the red levin
(With the rapid Pleiads, even,
Which were seven,)
Pauses in Heaven
And they say (the starry choir
And all the listening things)
That Israfeli’s fire
Is owing to that lyre
By which he sits and sings—
The trembling living wire
Of those unusual strings.
- And the angel Israfel, whose heart-strings are a lute, and
who has the sweetest voice of all God’s creatures.—KORAN.
But the skies that angel trod,
Where deep thoughts are a duty—
Where Love’s a grown up God—
Where the Houri glances are
Imbued with all the beauty
Which we worship in a star.
Therefore, thou art not wrong,
Israfeli, who despisest
An unimpassion’d song:
To thee the laurels belong
Best bard, because the wisest!
Merrily live, and long!
The extacies above
With thy burning measures suit—
Thy grief, thy joy, thy hate, thy love,
With the fervor of thy lute—
Well may the stars be mute!
Yes, Heaven is thine; but this
Is a world of sweets and sours;
Our flowers are merely—flowers,
And the shadow of thy perfect bliss
Is the sunshine of ours.
If I could dwell
Where Israfel
Hath dwelt, and he where I,
He might not sing so wildly well
A mortal melody,
While a bolder note than this might swell
From my lyre within the sky.
Credits
Edgar Allan Poe was an American poet, short story writer, and critic of the nineteenth century, widely celebrated for his mastery of atmosphere and musical language. "Israfel" draws its epigraph directly from the Koran, reflecting Poe's fascination with Eastern mythology and his lifelong preoccupation with beauty as a supreme artistic ideal. First published in 1831, the poem is considered one of his most personal statements on the nature of poetic ambition.
