A Song For Christmas

Summary


"A Song For Christmas" by George MacDonald sets death and renewal against each other in six tightly wound stanzas, where bells toll for the buried and larks sing for second birth. The speaker refuses to sit mired in grief, choosing instead to watch for the dawning — and for the faces of loved ones lost, imagined tenderer and shining in whatever lies beyond. It is a poem of raw longing held in tension with stubborn, luminous hope, written in a voice that trembles but does not break.

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Hark, in the steeple the dull bell swinging
Over the furrows ill ploughed by Death!
Hark the bird-babble, the loud lark singing!
Hark, from the sky, what the prophet saith!

Hark, in the pines, the free Wind, complaining—
Moaning, and murmuring, “Life is bare!”
Hark, in the organ, the caught Wind, outstraining,
Jubilant rise in a soaring prayer!

Toll for the burying, sexton tolling!
Sing for the second birth, angel Lark!
Moan, ye poor Pines, with the Past condoling!
Burst out, brave Organ, and kill the Dark!

A lone man in a winter churchyard at dawn, steeple rising behind him — A Song For Christmas by George MacDonald

Sit on the ground, and immure thy sorrow;
I will give freedom to mine in song!
Haunt thou the tomb, and deny the morrow;
I will go watch in the dawning long!

For I shall see them, and know their faces—
Tenderer, sweeter, and shining more;
Clasp the old self in the new embraces;
Gaze through their eyes’ wide open door.

Loved ones, I come to you: see my sadness;
I am ashamed—but you pardon wrong!
Smile the old smile, and my soul’s new gladness
Straight will arise in sorrow and song!

Credits

George MacDonald was a 19th-century Scottish author and poet whose visionary Christian imagination deeply influenced later writers including C.S. Lewis and J.R.R. Tolkien. This Christmas poem, unusually for the season, confronts grief and death head-on, weaving together funeral tolling and jubilant organ song as twin responses to loss and faith.